







Brilliant.










Lady GaGa's new video for Bad Romance premiered on Tuesday and it is potentially her best video yet possibly even topping the absolute over the top decadence and drama of the splendid Paparazzi video. First off: the costumes are out of this world. It's sexy and alluring and weird. GaGa wears a stunning, ridiculous polar bear coat, a diamond encrusted top, a bizarre red top, and crazy tall high heels called Armadillos made by the English designer Alexander McQueen. The plot of the video is that GaGa is being sold into the Russian sex slave trade and she rebels and sears her buyer alive in a bed. It is genius. The dancing is odd and awesome. Le Lady looks truly beautiful in this video. My favorite parts: the dance routine when GaGa is being auctioned off in her diamond outfit, the fiery dance routine in the red outfit near the end, the part where the diamonds are suspended around her in the air and she's standing in the middle of a circle of men (the dark shoes in that scene are gorgeous), and the end bit when she enters in the polar bear coat then takes it off and the bed catches on fire, killing her horrible buyer. Also the end is hilarious when she's lying in the bed looking somewhat like Amy Winehouse smoking a cigarette with her cone bra emitting sparks, next to the burnt bones of the evil Russian man. There's also the bit where she is in flames, posing inher polar bear coat. Classic. Oh wait, and there's the crazy big eyes, the freaky cat, and the close ups of her crying! Overall, this video is a triumph that cleans the floor with pretty much every other video out there as well as every other major pop song out there. GaGa's vision is wonderfully original and passion-filled. She inspires me. I wish I was as brave and daring as her. This video is a huge present to the pop music world. I'm infatuated. I don't think my description does it justice. Just watch:
Here are some new photos for her new album The Fame Monster as well as new weird photos from Vogue (I adore the one where she's holding the pot and spoon--regard the shoes!) and retro ones from Vanity Fair Italy that look like old school lingerie ads and propaganda posters. Also, the Alexander McQueen shoes of amazingness (thanks to Coco Perez.com). Ahh, je t'adore, GaGa. 
Lady GaGa's new single, Bad Romance, from the re-release of The Fame (entitled The Fame: Monster) was premiered on UK radio station BBC Radio 1 this morning and it is a beast! It's another RedOne collaboration (he produced most of The Fame notably Just Dance and Poker Face), and they evolve their signature sound with this fortress of a pop tune. Bad Romance comes at you fast and it hits hard. GaGa sings as if she's singing a hard rock tune, but it works with the song's intensity. The chorus is fantastic and soaring and as XO Middle Eight blogger wrote last week: "The chorus is beautiful. When she actually sings in a full, throaty voice she transforms into a sort of Eurodisco Joan Baez,". GaGa digs into her grimy lyrics making them sound raw and primal (and she sings in French at one point). The "oh oh oh" part of the chorus is stunning and extremely catchy. The album version has a lovely intro that I wish was part of the radio edit. In short, Bad Romance practically compels the listener to react whether that be through dancing or singing along or turning the volume up as high as it will go. This is a song to blast. This song bodes well for her future and shows how her sound has expanded over the course of a year. Simply magnificent. Also check out that single cover. It's so weird yet awesome at the same time. I love how we can't see her face, and that red fabric just pops! Great font!
Glee proved itself this week with its episode entitled "Preggers". I've enjoyed Fox's new musical dramedy since it's sneak preview back in May, but this past week's episode really showed me how great the show was. It was the best episode so far. It was funny, sad, moving, and full of wonderful dancing and singing. Beyonce's Single Ladies dance played an essential role in the episode which revolved around gay glee club member Kurt trying out for the football team to make his Dad proud. The episode opens with Kurt performing a splendid black and white homage to Beyonce's original video complete with gal pal backup dancers. His Dad comes down to see him rehearsing this number and the girls with Kurt end up lying him into being on the football team. Kurt enlists the help of fellow glee club member Finn who is already on the football team (which is a terrible team by the way). Kurt tries out for kicker and warms up to Single Ladies before he makes an amazing kick and is put on the team. There are a few subplots going on here too. The best revolves around mean girl cheerleader Quinn's pregnancy. What i like about Glee is how it takes characters like Quinn who you think are one-note caricatures and turns them into people you really feel for. And the way Quinn's reveal to Finn was shot with a close-up of her face from Finn's perspective with him getting overwhelmed and not really being able to fully understand what she's saying because he's so shocked, was very effective. Also, scene stealer Jane Lynch continues to be hilarious as the cheerleading coach who now has her own segment on the local news. Jayma Mays of Ugly Betty is cute and likable as Glee club teacher Will's (Matthew Morrison) germaphobe crush. The whole cast is immensely talented. The football team's dance to Single Ladies was a high point of the episode. I'm completely on board now. And Kurt's coming out scene to his Dad was sweet and moving. Kurt has really been developed as a character since the first episode. He's not a caricature of a gay teen anymore. Sure he's campy and loves singing and dancing, but he is also a great football player. In Glee's world, you can do anything you want as long as you make it your own like Kurt did.
-La Roux's #1 UK single, Bulletproof, is the US iTunes free download of the week and their album became available digitally in the US yesterday. I bought it already knowing it's amazing from listening to rips of the songs on YouTube. Check it out. It's very 80's electro but the lyrics are good and the songs, catchy. The album is currently #21 on the US iTunes chart. Congrats, La Roux! They're performing their first Boston show on October 27th.

Let the drama begin!




One of my new fave Brits, Pixie Lott, released the video for her upcoming second single, Boys and Girls, the other day. I like this song better than her debut single, the #1 UK hit Mama Do. It features that signature old school sound (horns, Amy Winehouse/Duffy-esque) that has become a part of modern British music in the past couple years, but miraculously it works. The song is super fun and just about having a good time. The song has been changed a little since the first time I heard it. The trumpet has become a prominent part of the verses. The chorus is fantastic and pretty irresistible. The video features fun choreography, cool outfits, and lots of hip kids (who I now want to hang out with) having a good old time. You really want to bust a move when you hear this song. I hope this song does well. It's very likeable.
P.S. I love her sassy entrance in the beginning and her relationship with the boy in the white chilling against the wall.
Britain is bursting with girl groups at the moment, a wonderful thing in my opinion, and these gals are the best of the bunch. They are the Dolly Rockers, and they are loads of fun. Sophie, Lucie, and Brooke are loud, raunchy, and super cheeky. They wear ridiculously awesome outfits and sing sassy and distinctly British ditties. Their first official single is called Gold Digger, and it is a bouncing, jaunty number about you guessed it a gold digger. A great choice for a debut single. It's quite wonderful, and the video just premiered today. It's very similar to their first video for the amusing Je Suis Une Dolly meaning it involves dancing around in public places and wreaking general havoc. In the Gold Digger video they disrupt an office throwing paper all over, play with a beach volleyball on a tennis court in over-the-top tennis garb, and dance in a shop window display. It's all very fun. (Click on the outtakes that come up at the end of the video for some good laughs). Gold Digger will be out August 31st in the UK. Another fantastic song by them is the surprisingly affecting How Did I End Up With U? which has Katy Perry's Hot N Cold drums and echoes of 3OH!3's Don't Trust Me after the chorus. The song starts very softly then roars into the chorus with the Dollys asking "How did I end up with you? Why did I ever see a perfect 10? Why do I have a thing for married men?" It is magnificent. Champaigne Shirley is another corker by the gals that features a rip-roaring chorus. The lyrics are biting, the chorus catchy, catchy, catchy. I posted one of the gals How-To Videos below. It's pretty funny. They are so wonderfully cheeky. Lucie, the one usually in the middle in the videos with the red and black dress, is my favorite Dolly at the moment (you always have to have a favorite member with girl groups), but Brooke is hilariously vulgar and raunchy. Check them out!
-Kings of Leon have shot to the number 2 position on the US iTunes chart with the anthemic Use Somebody. Took long enough. Congrats, boys!
The newest Harry Potter movie is like a visit with old friends. I've grown up with these characters, books, and movies. When I saw the new little Hogwarts students early in the movie I thought "Aw how cute." Harry and the gang were them not long ago and so in a way was I and others my age. This sixth movie in the series is an improvement on the previous film: 2007's Order of the Phoenix. In fact, this sixth film, is second place in my list of Potter adaptations : 2005's immensely entertaining Goblet of Fire being number 1. The new installment is funny and full of teen drama. Wizards and witches are just like us after all. They just want to be loved. We are even led to believe that Harry might get some action from a train station diner waitress in one of the first scenes, but then Dumbledore shows up and that whole possibility fades away. You see, Dumbledore wants Harry to get in good standing with the new potions professor, Slughorn (Jim Broadbent) who has information about Voldemort that Dumbledore wants. And Voldemort's Death Eaters are on the prowl, wreaking havoc wherever they go. That being said, I don't think I've ever laughed out loud during a Potter movie as I did during this one. Harry is even funny albeit after taking a luck potion. There's a sequence where Slughorn has some of his star pupils over for dinner where they proceed to eat huge desserts. It's all very funny. Scenes of this nature are nice contrasts to the darker moments. Not every second of every day at Hogwarts is dark and life-threatening. Creepy flashbacks to Voldemort's or Tom Riddle's childhood days and teen years at Hogwarts are eerie as is a voyage Harry and Dumbledore take into a cave. Not a lot of huge things happen minus the death of a huge character at the end, but I didn't really mind. These characters are so interesting and watchable. The gang have really grown into their parts. There are slow patches , but overall it's very entertaining especially due to the magnificent, mostly spot-on casting. Rupert Grint is amusing as the suddenly hotshot Ron (possibly his best performance as Ron yet), and Emma Watson is her usual smart, sassy self but with more of a vulnerable side this time around. Evanna Lynch is hilarious and the definition of spacey and trippy as Luna Lovegood. Wesley Morris of the Boston Globe was spot-on when he compared her to Anna Faris. The two actresses deliver their lines similarly as if in a mist of otherwordliness. Whenever she was in a scene I knew it would be good (just watch for the lion mask). Helena Bonham Carter is insane, vulgar, primal, and somewhat sexual in her portrayal of Bellatrix Lestrange, one of Voldemort's Death Eaters. Maggie Smith is the shiz (what else is new?) as McGonagall, taking names and getting stuff done. Jim Broadbent (Bridget's dad in Bridget Jones' Diary among many other roles) is funny as Slughorn. He gives Slughorn these great facial expressions. Alan Rickman continues to show why he was born to play Snape as he glides and whispers his way through the movie. Daniel Radcliffe is good as Harry, likeable and somewhat awkward. His scene with Grint where they talk about girls and their skin is a great example of awkward hilarity. Overall, a strong summer movie filled with wonderful performances and striking images and shots (thanks to cinematographer Bruno Delbonnel). I've seen it twice already in the span of three days, and the funny parts are still funny. Always a good sign.